This is the site of production for Ben Chatwin—a space dedicated to the excavation of dense, weathered audio landscapes.
Operating at the intersection of acoustic resonance and electronic instability, the output is a study in tonal archaeology. From the fragile hammers of a 19th-century Dulcitone to the caustic saturation of 1/4" magnetic tape, sound is treated as a raw, found material to be unearthed, processed, and pushed to the point of collapse.
CONTACT
For scoring, collaborative inquiries, or technical discussion:
